statement | kenneth susynski
Kenneth Susynski (American, b. 1965) presents a unique, hybrid style of figurative expressionism blended with the abstract in narrative compositions that stress an interpretation of beauty, with a hint of wit, exploring combinations of historical and contemporary cultural themes.
Having been raised primarily in Europe yet also in Turkey and Korea, the influence of experiencing culture and custom combined with countless visits to some of the world's great museums as a child formed his appreciation of art and, specifically, the figure. A lifelong interest in historical and contemporary black-and-white photography shapes his rendering of the human form. Working in oils, his goal is to create fresh, vibrant works that are deeply and lastingly meaningful, timely and timeless.
He is currently without representation after his recent transition from the Pacific Northwest to Santa Fe, NM.
"The third Chase Gallery artist, Seattle-based Kenneth Susynski, uses his oil paintings to explore the emotional psyche of motherhood. But there is nothing sentimental about these surreal mothering scenarios. Babies are alternately coddled, ignored and thrust into life’s dangerous playgrounds. Mommy basks in all her glory and power; best to hold her hand tightly and try to relax." - Audrey Overstreet, The Spokesman Review (Spokane WA), Aug.2019
Having been raised primarily in Europe yet also in Turkey and Korea, the influence of experiencing culture and custom combined with countless visits to some of the world's great museums as a child formed his appreciation of art and, specifically, the figure. A lifelong interest in historical and contemporary black-and-white photography shapes his rendering of the human form. Working in oils, his goal is to create fresh, vibrant works that are deeply and lastingly meaningful, timely and timeless.
He is currently without representation after his recent transition from the Pacific Northwest to Santa Fe, NM.
"The third Chase Gallery artist, Seattle-based Kenneth Susynski, uses his oil paintings to explore the emotional psyche of motherhood. But there is nothing sentimental about these surreal mothering scenarios. Babies are alternately coddled, ignored and thrust into life’s dangerous playgrounds. Mommy basks in all her glory and power; best to hold her hand tightly and try to relax." - Audrey Overstreet, The Spokesman Review (Spokane WA), Aug.2019